Fairytales & truths in history make great fiction
We all started.. Once upon a time..
In fact it's the facts within history that can trigger ideas for a fanciful fairytale or even Folklores have provided great material for stories that have been verbally handed down, can somehow turn into truths, making the tale even more dramatised for visual short story telling. But it's the folklores that tend to become legends - St George and the dragon - has actually come from Perseus slaying the sea serpent and rescue Andromeda from Greek mythology - which makes one question - how has Georg been turned into a Saint - and if he is a saint then therefor he must exist? - Right?
Well so what really is historical fiction all about?
Historical fiction,
as the name suggests, is a literary genre set in the past, made up of a mixture
of factually accurate characteristics from the time period as well as imagined
fictional elements. For example, writing a story about the life of Henry VIII’s
forgotten 7th wife, would be considered historical fiction.
“But that didn’t
really happen!” I hear you shout.
You’re not alone in
critiquing the genre for this reason. Works of historical fiction are often
criticized for lack of authenticity because of genre expectations for accurate
period details, but therein lies their charm. They are able to position
themselves in a familiar world beyond our reach and expand on it beyond the
confines of real life.
Classics in the golden word
Historical prose
fiction has a long tradition in world literature. Three of the four classics of
Chinese literature were set in the distant past, for example. Classical Greek
novelists were also very fond of writing novels about people and places of the
past, with the Iliad being described as historic fiction, since it treats
historic events, although its genre is generally considered epic poetry.
Moving forward to the
19th Century, historical fiction rose to prominence in Europe as part of the
Romantic reaction to the Enlightenment, especially through the influence of the
infamous Scottish writer Sir Walter Scott. The first true historical novel
in English was, in fact, Maria Edgeworth's Castle Rackrent published in 1800.
And the rest, as they
say, is history…
We love asking impossible questions
...and then being proved wrong
If one analyses the arts and crafts of writing historical fiction... here are some guiding to-do's to speed you on your way to writing a historical piece of fiction
Like the sound of
writing a piece of historical fiction? Great! You’re in the right place. We’ve
compiled a few of our favourite tips for how to do it well (and avoid any
cheesy or unbelievable plotlines & character details).
1. Be specific when
choosing your time period & place
When choosing the
setting for your historical story, be specific. Instead of just having a vague
idea of doing a novel in 20’s France, select a specific year and a specific
place: 1928 Paris for example. Being this specific will help you to hone in on
the details of the time and narrow down your research too.
2. Small details
matter, so do your research
When building a
historical setting inside fiction, details matter. When talking about another
time period, you have to do your research and really delve into what people
would be wearing, what they’d be drinking, even what they would be thinking
(since perceptions to certain things would have been very different).
The best advice here
is: period characters require more than period clothes.
Good historical
stories promise to not only transport readers to a historical setting but to
reveal the interior life of a character.
3. Immerse yourself
in the culture of the time
To write historical
fiction of any kind – short stories, poetry or longer form prose – you need to
be able to close your eyes and have the past blaze up around you. That’s why
historical fiction is not to be taken lightly. You have to invest a lot of time
surrounding yourself in historical research in order to inhabit the past in
your imagination. Try reading what they would read, listening to the music they
would listen to and even eating what they would eat to get in the right frame
of mind.
4. Balance historical
details with dramatic plotlines
Hemingway once
compared a successful story to an iceberg: The visual peaks of an iceberg are
supported by a much larger structure beneath the surface. Historical fiction is
very much like this: the details that are present in the text are supported by
a huge amount of research that remains, largely, invisible to the reader. At
least 90 % of what you learn about the culture never shows up in the fiction,
but it informs the characters and plot line. Just remember - historical
facts are not a storyline. Your historical research should form the backdrop
for the drama but it is not the drama itself.
History is the
context out of which your fiction should grow.
“How
to write a short story” - Bookazine
Sometimes
structuring a story can be a tricky thing to get right. We have been working on
a supportive guide, to help new writers structure a short story into a highly
readable work….
The magazine includes exclusive articles on
character development, plot planning and where to find inspiration, as well as
words of encouragement from authors who have been there and got the t-shirt!
This
luscious bookzine is available in both EPub and a beautiful printed gift
version, which we will post out to you.
⭐ Want Your Story To Go Down in History? ⭐
CALLING ALL UK NEW
WRITERS!!!
It’s your chance to get your story published
...in a glossy hardback book
...in a glossy hardback book
We’re offering 20 lucky winners the chance to see their work
published in a beautifully illustrated book and have a professional podcast
made of their work. They will also receive extensive coverage across our social
media channels.
Sounds good - especially when there’s more time on our hands?
To find out more, simply check out this web link below and it will show
you how to enter the competition:
This is your chance to showcase your skills. The story must be original
and between 1000 and 1500 words, written in English from among the following
given topics:
Adventure/travel
Thriller/Dark
Romance
Science/Fantasy
YIPPEE!!!: We now have three
special categories for the
Hi2020 Short Story Competition:
Three County Challenge (Bucks, Herts & London)
UK Challenge (British Isles and Northern Ireland)
11yrs - 18 yrs Challenge (UK- British isles and Northern Ireland)
⭐ HURRY! Entries due by 20th
July ⭐
Enjoy some Historical fiction examples…
you never know they may inspire a short story within you...
Below are some of our
favourite examples of popular historical fiction. We’ve chosen some moving
excerpts to inspire your writing...
- Memoirs of a Geisha - A historical fiction novel by Arthur Golden
“I wasn't born and raised to be a Kyoto geisha. I
wasn't even born in Kyoto. I'm a fisherman's daughter from a little town called
Yoroido on the Sea of Japan. In all my life I've never told more than a handful
of people anything at all about Yoroido, or about the house in which I grew up,
or about my mother and father, or my older sister--and certainly not about how
I became a geisha, or what it was like to be one. Most people would much rather
carry on with their fantasies that my mother and grandmother were geisha, and
that I began my training in dance when I was weaned from the breast, and so on.
As a matter of fact, one day many years ago I was pouring a cup of sake for a
man who happened to mention that he had been in Yoroido only the previous week.
Well, I felt as a bird must feel when it has flown across the ocean and comes
upon a creature that knows its nest. I was so shocked I couldn't stop myself
from saying:
"Yoroido! Why, that's where I grew up!"
This poor man! His face went through the most remarkable
series of changes. He tried his best to smile, though it didn't come out well
because he couldn't get the look of shock off his face.
"Yoroido?" he said. "You can't mean
it."
I long ago developed a very practiced smile, which
I call my "Noh smile" because it resembles a Noh mask whose features
are frozen. Its advantage is that men can interpret it however they want; you
can imagine how often I've relied on it. I decided I'd better use it just then,
and of course it worked. He let out all his breath and tossed down the cup of
sake I'd poured for him before giving an enormous laugh, I'm sure was prompted
more by relief than anything else.”
- A
World to Come - A
historical short story by Jim Shepard
“"I checked on him only a short time ago and
he seemed all right, but when I went in just now I found him dead. We're not permitted
to keep a body here overnight. What arrangements do you want to make?"
Thus ended my fifty-seven years of marriage to Bob Montgomery . . . or so it
seemed.
Strange how the mental processes continue to
function almost automatically while the emotional system goes into numbed
shock. I called my sister, Margaret Forry, in Indianapolis, and she said she
would be on the first available flight. Then I dialed my second cousin, Phil
Cunningham, who spends the winter season at a nearby villa, and that wonderful
man said he would go immediately to the nursing home and oversee the removal of
Bob's body to Hodges Funeral Home. The next morning I went with Phil to
identify the remains and supply information for Bob's obituary. Margaret
arrived later that day, and after Bob's body was cremated, we held a memorial
service with close friends on Friday.
Meanwhile, I had managed to perform all the
perfunctory tasks: notifying our lawyer, the bank, and Bob's relatives, and
meeting with our good friend Ninette Peterson, an ordained minister whom Bob
and I had previously chosen to conduct our services if she were available when
our time came.
Outwardly I was functioning normally. Inwardly I
felt like a robot who had been put on automatic pilot. I couldn't cry. I
couldn't grieve. As a matter of fact, I dared not grieve, because I was acutely
aware of my Guides' warning about that many years before, while writing A
Search for the Truth. In a chapter of that book, entitled "The Selfishness
of Grief," the Guides detailed how overly grieving survivors keep a loved
one Earthbound and thereby retard the spiritual progress of a soul newly
crossed into the spirit plane. Bob was the best person I have ever known. He
deserved better than a grieving widow who was feeling sorry for herself and
moaning about her loss.”
- The
Color Purple - a
historical fiction novel by Alice Walker
“Dear God, Mr. ______ finally come right out an ast
for Nettie hand in marriage. But He won't let her go. He say she too young, no
experience. Say Mr. ______ got too many children already. Plus What about the
scandal his wife cause when somebody kill her? And what about all this stuff he
hear bout Shug Avery? What bout that? I ast our new mammy bout Shug Avery. What
it is? I ast. She don't know but she say she gon fine out. She do more then that.
She git a picture. The first one of a real person I ever seen. She say Mr.
______ was taking something out his billfold to show Pa an it fell out an slid
under the table. Shug Avery was a woman. The most beautiful woman I ever saw.
She more pretty then my mama. She bout ten thousand times more prettier then
me. I see her there in furs. Her face rouge. Her hair like somethin tail. She
grinning with her foot up on somebody motocar. Her eyes serious tho. Sad some.
I ast her to give me the picture. An all night long I stare at it. An now when
I dream, I dream of Shug Avery. She be dress to kill, whirling and laughing.”
⭐ Fiction Inspiration ⭐
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